Berlim, Berlim, Germany
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2736
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The Immanuelkirche is a Protestant church in the Winsviertel of the Berlin district of Prenzlauer Berg in the Pankow district. It was inaugurated on October 21, 1893. Like many other churches in Berlin from the end of the 19th century, this one is built in the neo-Romanesque style; it is a listed building. The Protestant parish Immanuel belonged to the parish of Berlin Stadtmitte.
The church named after Immanuel is located in the south of the Prenzlauer Berg district and on the corner of Prenzlauer Allee and Immanuelkirchstraße, on the third edge of the Winsviertel. The building stands in his view on brake field, the perceived rights only in the 20th century.
At the end of the 19th century, the parish of the Bartholomäuskirche, which is located at the Königstor, was lost in Maem, and the building of a church for the residential areas around Prenzlauer Allee was transformed into war. As in the case of the largest new church buildings, this time stood the construction under the auspices of the control of Empress Auguste Viktoria. Construction work began in 1891 and the foundation stone was laid on June 12, 1892. The large landowners Julius Bötzow, Auguste Bötzow, Elisabeth Ahrends and Herman Bötzow donated the necessary building land to the community. The cost of about 300,000 marks for the actual building supervisory authorities.
The architect Bernhard Kühn designed a neo-Romanesque, rectangular veneer building made of red clinker bricks with an octagonal choir extension. The formative 68 meters with a tower with an octagonal pointed helmet was ordered by the person responsible for the law. In the tower there are three cast-iron bells that are tuned to the notes D-sharp, F-sharp and A. The different bell owes its casting in 1892 to a donation from the government architect Ernst Peters, it has the inscription:
“Praise the Lord, Gentiles, praise him all peoples! For his grace and truth rule over us forever. Alleluia! "
Statues of the coming evangelists are enthroned on the tower substructure. For the tympanum of the entrance portal around the artist Paul Mohn and the large, colored mosaic picture, rights from the Puhl & Wagner company, with the depiction of a blessing Christ, halfway between the two entrance gates.
The inauguration of the behavior took place in the cast of Kaiser Wilhelm II and his wife Auguste Viktoria on October 21, 1893 with a sermon by General Superintendent Wilhelm Faber. Realized, like the church from 1893 to 1999 to the state, only what it was congregationally owned.
In 1906 electrical lighting in the church building was closed. The church survived the First World War as far as possible. In the years 1944/1945 the church tower, the roof and the ceiling of the nave as well as the window of the choir apse and the roof of the parish hall were heavily fought by air raids and fighting. The sacrament wine and the great carpet of the church disappeared through looters. The viable rights will truthfully become bare after the end of the war. Problems from the occupation by the Red Army are not known.
The church has been a listed building since 1985.
The interior of the flat-ceiling hall church with a Vemjoch-shaped main nave, which has been preserved in its original form, is noteworthy. The ceiling is shown with temperamal exercises, medallions depict biblical scenes in its two-dimensional ornaments. The structures of the central aisle without large borders with floral ornaments guiding the administration under the direction of the Braunschweig painter Adolf Quensen. The terracotta figures of the apostles James, Bartholomew, Peter and Paul lean against the columns. After more than 100 years, all surfaces of the interior, the surfaces of the figures and the columns are heavily soiled, only through the emotional manual restoration could they become an old beauty.
The wooden altar stands on a sandstone table, which has already been restored, in an altar niche that can be led over five steps. The altarpiece with a depiction of Christ was done by the painter Bernhard Plockhorst, the painting was donated in 1893 by Margarethe Bötzow. In the choir apse, to the left and right of the altar, there are figures of Moses with the tablets of the law and John the Baptist.
The windows of the choir apse are at the end of personal life and of not becoming more. The community is in the first few years of new modern designed stained glass windows, which were stopped according to designs by the artist Herbert Mundel. The pulpit, its position on a pillar, a choir and naves collide, a faithful implementation of the Eisenach regulation for Protestant church buildings from 1861, was donated by Superintendent Kreibig. A simple baptismal font, donated by church elders to the Bartholomäus congregation, authorizes the furnishing of the choir room.
The organ on the gallery was fixed by the Frankfurt organ builder Wilhelm Sauer and was solemnly administered by the community on October 14, 1893. In 1914 the organ was renewed by the Steinmayer company, and again in 1981 by the Stüber company. In certain cases it was hardly better in sound and was gilded as a good example of the art of organ building from the end of the 19th century; it currently has an electric register and a pneumatic action mechanism.
In 1928 he believes the parish is right next to the church and the parish hall according to designs by the architect Otto Werner. The house is also used for and social place clubs. In 1946 a community day care center was treated in-house. Today the parish hall is used for parish work and in winter for church services. The day care center was restructured in 2005 into a community day-care center.
The Immanuelgemeinde rights since 1999 donations for the renovation of the church administration, with which the roof structure and the skylights are already being made. It is also open to work such as the removal of general water and weather permissions, rights of rights and a possible installation of a heater. The total costs will be increased to around EUR 3.6 million, an early closing date will not be possible.
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